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Victoria Racz
Presents the 31st Annual

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Saturday, August 16, 2025
First Evangelical Church

4120 NE St Johns Rd

Vancouver, WA 98661​

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New Standards = Newer compositions for Double Reeds feauring Alyssa Morris!​ 

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Alyssa Morris Composer/ Performer Bio (2024)

Oboist and composer Alyssa Morris has delighted audiences around the world with her “soulful” and “transcendent”
musicianship (Fanfare.) American Record Guide describes her playing as “stunning,” exhibiting “unmistakable
virtuosity.” Dr. Morris serves as Associate Professor of Oboe and Music Theory at Kansas State University, and as the
principal oboist of the Topeka Symphony Orchestra and the Chamber Orchestra of the Smoky Valley. She has appeared
as oboe soloist and chamber musician in international conferences and other settings in venues throughout the United
States, Scandinavia, the British Isles, Western Europe, Thailand, and New Zealand. She performed as concerto soloist at
the Kennedy Center, and with the Topeka Symphony in a performance of her original concerto Dreamscape.
Regarding her work as a composer, Dr. Morris’s chamber music is performed extensively around the world. Morris was a
recipient of two International Barlow Composition Commissions, and was the Composer-In-Residence for the River Oaks
Chamber Orchestra (ROCO) in their 2020-2021 season. Her music has been presented at numerous International
Double Reed Conventions, the Japan Double Reed Society Convention, the National Flute Association Convention, the
International Clarinet Association’s ClarinetFest, the National Flute Association Convention, and the Society of
Composers Inc. National Convention. Her works have been required competition/ examination pieces for the IDRS
Young Artist Oboe Competition, the IDRS Young Artist Bassoon Competition, the International Virtual Oboe Competition,
the Association of Oboists and Bassoonists of Spain National Competition, and on the Australian Music Examination
Board required works curriculum. Dr. Morris has been commissioned to write music for the River Oaks Chamber
Orchestra (ROCO), the U.S. Air Force Woodwind Quintet, Katherine Needleman (principal oboist of the Baltimore
Symphony), the Richmond Symphony, and Carolyn Hove (principal English horn of the Los Angeles Philharmonic), to
name a few. Dr. Morris has been a featured composer and performer on National Public Radio’s program “Performance
Today” and on Kansas Public Radio’s program “Classical Music in the Morning.” Her music is published by TrevCo Music
Publishing, C. Alan Publishing, and Sleepy Puppy Press, and it has been recorded on the Blue Griffin, Centaur,
Equilibrium, MSR Classics, Parma, Radium, SoundSet, and Tantara labels. Morris can be heard as oboist and composer
on her albums “A Higher Place” and “Ruminations” (available through MSR Classics.) Fanfare magazine writes the
following about her compositions:
“Alyssa Morris…brings something that we don’t always hear in the music of our time–wit. Add to this a true melodic gift,
an ability to evoke a range of moods, and a strong imagination, and the result is a composer whose music is gratifying
even on repeated hearings.”
As a sought-after oboe and composition clinician, Dr. Morris has given performances/master classes to oboe/
composition studios at universities and conservatories around the United States. Morris has been a featured composer
for the SHE Women in Music Festival, resident guest artist for the Double or Nothing Double Reed Camp, and an
adjudicator for the 2016 International Double Reed Composition Competition.
An award-winning oboist, Morris was 2021 American Prize finalist in the Solo Instrumental and Virtual Performance
divisions, and a 2016 International PEO Idagrace Guy Endowed Scholar. She was the only music major in 2016 to receive
a top ten position in the competition amongst the hundreds of female doctoral students who applied from the United
States and Canada.
Dr. Morris is a co-founder of AGLOW Trio with flutist Karen Large and pianist Amanda Arrington. AGLOW Trio is
committed to supporting the creation of new music, and since its formation in 2021, has commissioned new works by
composers Reena Esmail, Grace Baugher Dunlap, and Tony Rodriguez. AGLOW Trio was named a finalist in the 2022
American Prize Competition for Instrumental Chamber Ensembles, and released their first album, “The Light Is The Same”
through Radium Recordings in 2023. “The Light Is The Same” can be heard on all streaming platforms: https://
music.imusician.pro/a/iTpyhwLg. Their second album, “Infinities,” is scheduled to release in Fall 2024.
Dr. Morris earned her BM and MM degrees in oboe performance at Brigham Young University, where she studied with Dr.
Geralyn Giovannetti. Morris earned her DMA in oboe performance with a cognate in composition at the University of
Cincinnati College-Conservatory of Music where she studied with Dr. Mark Ostoich, Dwight Parry, and Lon Bussell.

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Our evening concert is Saturday, August 16 at 7:30 at First Evangelical Church in Vancouver, WA.
Our program will include a variety of musical styles, and will definitely feature the music of our guest, Alyssa Morris!

Tickets are $15 and available at the door.
There will be a reception following the concert with products available from our sponsors: MCW Woodwinds. RDG Woodwinds, Jones Double Reed Products, and Midwest Musical Imports.

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Our seminar is designed for high school, collegiate and adult oboists, and this is a day-long seminar devoted to all aspects of oboe performance with a different focus each year. For participants the day includes a solo master class (with pianist), instrument maintenance and repair, ensemble playing, dinner, and an evening concert featuring all seminar participants and staff. 

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The participation fee is $125. This includes evening meal, "Reed Tips Clinic" with Brent Hages, Seminar T-shirt, accompanist (if needed), and minor repairs/mini workshop by Mark Chudnow. Application deadline for participants is July 31. Due to the large number of applicants and the limited number of openings, applicants may be requested to submit a recent video clip to demonstrate their playing ability. 

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Auditor fee is $40. Auditors do not need to pre-register and may pay at the door. They will attend the afternoon class with our guest from 2:30 - 4:00 (times are approximate), and also receive a ticket for the evening performance at 7:30 pm.  Entry will be through the main, front doors of the church. Auditors, please have your $40 cash or checks ready (made out to the Northwest Oboe Seminar), and be sure to pick up your concert ticket! (An accompanying parent for any minors 6th grade and under will not be charged an auditor fee.) We should also have an option for Square payment.

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Application: 

(Participant applications for 2025 will close as of July 31)
 

Participant payment (or donations!):

We are a 501(c)3 organization.

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​Seminar History Page  (Click to go to that page)

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SEMINAR STAFF:  (Click on any name to go to Bios page)
 

Victoria Racz, Seminar Director
Kathy Stockwell-Riemann, Seminar Assistant
Brent Hages, Reed Tips Clinician/Seminar Assistant
Kahayla Rapolla, Bassoonist

Kathy Edsill-Charles, Seminar Pianist
Mark Chudnow, Seminar Instrument Technician

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​Mark Chudnow will be joining us again in  2025, and will have limited openings available for oboe, oboe d’amore, and English horn adjustment. Price TBD. Contact him at mcwoboe@earthlink.net or 415-694-9548 to make your appointment.  (Minor adjustments free for Seminar Participants.)  

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Northwest Oboe Seminar Sponsors:

https://www.mcwoboe.com/
https://www.rdgwoodwinds.com/
http://www.jonesdoublereed.com/
https://www.mmimports.com/
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Northwest Oboe Seminar Internship Program!!
Our second Seminar Intern was Lillian Edgren!

Lillian Edgren began her musical career in August of 2019, at the age of nine, with the introduction of the violin. In the fall of 2020, as she entered her 5th grade year of school, during the height of the pandemic, she was required to choose an instrument for school band that she would be having to learn to play online. Of all the instruments to choose from, Lilly chose the oboe, without any knowledge of the instrument, solely based on her liking of the name. But, as with everything that Lilly chooses to do, she has skillfully and beautifully conquered many obstacles in her training of the oboe, with much dedication from Lilly, as well as her private instructor, Victoria Racz, whom she has studied under for close to a year now. As she has entered her freshman year of high school, Lilly is now the principal oboist of the school’s advanced band. Through her high school program, she is currently carrying the spirts of students and spectators at the Friday night football games, where you can hear her play the saxophone in the high school pep band. Lillian also performs, as an oboist, with the Portland Youth Conservatory Orchestra, a part of the Portland Youth Philharmonic. She began with PYP in their Centennial Year as a member of the Portland Youth Wind Ensemble, as well as the Conservatory. She has begun the 101st season with PYP this fall and is enjoying learning the delicate time changes of Mahler’s 10th Symphony. Along with with her passion for music, Lillian also has a very strong writers voice that can be heard in the three novels that she is simultaneously writing, each one separate but intertwined within the realm of the universe that she has created in her mind’s eye. Lilly also enjoys creating the characters of her books through various artistic mediums.

Our Seminar Intern will observe throughout the day, and will perform in the morning master class IF time allows. They will also rehearse and perform with our large ensemble for the evening concert!

Those that wish to apply for 2025 should contact Victoria directly!
This program is intended for a middle school oboist. The applicant should send an email telling about themselves and their music experiences, and please fill out the participant application as well. Please include links to two videos that show playing ability (the videos do not need to be public performances). Please have your private music teacher and/or band director e-mail a brief recommendation. 
Everything is due by July 31, 2025. 
The information will be sent out to our seminar staff, and we will all vote for the winning candidate if any are chosen for that year.  Notifications will be sent out the first week of August. 
(No cost to apply, and the seminar fee for the intern will be $50.) 

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